Original Bronze Statue by Cristoforo Vicari Caslano the "Girl Reading a Book"
Repainting lowers bust'southward value past more than half
Sometimes the best piece of advice is 'leave well enough solitary,' or it may cause regret. That seems to exist one lesson to glean from a recent Enquire the Experts column.
Q The bust I am property in this photograph was given to my father by an elderly gentleman in 1941. You lot can run into a large alphabetic character A on the base of operations.
My begetter had it re-painted in 1950. That was probably a mistake. Does this statue have any value? The statue is very heavy.
— R.V., Independence, Missouri
Chalkware Bosom Suffers Value Loss With Repainting Job
A Your chalkware bust is from the early twentieth century. It'south inspiration is a late 19th century statuary statue by Cristoforo Vicari Caslano. It's title is "Girl Reading A Book"; some of these acquit a facsimile of the artist's signature. This chalkware bosom comes in a couple of different forms: in one version the bust is on a volume-shape plinth. Furthermore, in another version information technology is a small column. Many of these chalk ware busts are the work of the Roman Art Company, St. Louis, Missouri.
Chalkware, formed in a mold from plaster of Paris or gypsum, was very collectible during the late 19th century and again during the 1930s to 1950s. These pieces could take well-nigh any shape: animals, people, furnishing, historical figures, banks, or religious images.
The repainting on your figure is not true to the original colors – they are much brighter than the original, soft, muted tones used. The skin tone on the original is a faint blush color with the other colors being light pastels; many of these "Girl Reading a Book" busts were one color ranging from white to biscuit. In the original state these chalkware busts sell in the $80 to $100 range with exceptional examples selling for a bit more. Yours, as a result of the repainting may bring something in the $30 to $35 range. We've all been at that place; we've all made these mistakes – simply chalk it upwardly to feel.
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Photos Do Not Back up Moriage Identity
Q Please aid me identify the maker of this jar with hat. Information technology is xiii inches high, 11 1/2 inches wide (handle to handle) and has four feet. At showtime glance, it looks similar Japanese moriage. I suspect it is from the United states of america as there are no import marks on it.
Thank you for your assist!
— J.Fifty.W., Corte Madera, California
A My initial impression is that this piece hails from the westward or at to the lowest degree from the western market taking the design into consideration. Information technology's a design that appears on Asian censers; which are typically statuary, contumely, or porcelain.
Whereas the lids of 18-carat censers carry piercings for ventilation your jar, strictly for ornament, does not. The hat has a white lotus flower finial (a symbol of purity and devotion), but in terms of structure the torso of the piece appears a chip exaggerated with regard to truthful Asian forms.
Based on the photographs y'all provided I cannot determine if your jar is porcelain, pottery, or even chalk. You write that information technology "looks like Japanese moriage." Once once more, based on the photographs I see no evidence of moriage; notwithstanding, it does appear to exist hand painted.
Furthermore, Moriage is a raised ornament used on Japanese pottery. Moriage means to heap or pile up and the sideslip ornamentation is often practical like decorative cake frosting. Sometimes the decoration is formed separate from the piece and later applied. In addition, Americans are virtually familiar with moriage on the china known as Dragon ware in which the dragon design is raised, sometimes to the extent that the dragon is leaping off the pottery. Unfortunately, I cannot help you identify the maker but can only conclude it is made in the west or made for the western market, which does not narrow it down.
Well-nigh Our Skillful
| Dr. Anthony J. Cavo is an honors graduate of the Asheford Constitute Of Antiques and a graduate of Reisch College of Auctioneering. He has all-encompassing feel in the field of ownership and selling antiques and collectibles; at age 18, he became one of the youngest purchasers and consigners of antiques and art for a New York auction house. Mr. Cavo is an active dealer in the antiques and collectibles marketplace in the U.S. and away. |
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